The RME Babyface Pro FS is a great audio interface for anyone who wants to improve their home studio setup. But can you really get it for just $166 down?
The answer is a big ol YES! And that's without a credit check! Follow the link below to get yours with free shipping in 1-2 days, for just $166 down. Or read on and let me convince you why you need to pick one up today. Follow the link below to see the best-kept website in the music world for "paying as you play" as they say.
It's a new audio interface with a lot of buzz lately (the good kind)
The RME Babyface Pro FS seemed to appear out of nowhere and has taken the audio world by storm. Despite being a relative newcomer on the scene, this intuitive device is the perfect all-in-one solution for both professionals and those just starting out.
With stellar sound quality, latency-free performance, and seamless connectivity with USB or thunderbolt, it's no wonder why this is the interface of choice for many who have gotten their hands on it. Make no mistake - the RME Babyface Pro FS is here to stay!
Still the best portable audio interface, just a new look
The Baby Face was introduced ten years later with an exclusive portable interface that boasts a renowned RME build performance stability and high reliability. Five years later the Pro edition comes in and provides performance improvements in nearly all aspects and is also complemented by an upgraded aluminum chassis.
The new update updates its clock and now contains a full SteadyClock FS circuit like in the ADI-2 Pro FS to reduce jitter, and an improved 3,5 TRS headphones output with 90 mW, from the 70 mW that is the standard output. Baby Face was taken to distant locations by Baby Face's team.
Clarity in abundance
True to the RME brand, this BabyFace Pro FS delivers a clear, articulate tone. Compared to most competitors, the low-end interface is full and very accurate while the midrange and highend remain accurate. This ADDA conversion is a bit less realistic and deeper than my ADDA2 pro FS but I hoped it would be.
The preamps were a very good product and I'd not hesitate to use them in anything. The lack of colour could render it sterile in sources with some character.
Functionality of DIM
This input LED Opt also functions as a digital signal synchronisation indicator. The input will be chosen but no input signals will remain. It glows green if the signal is scanned and not synchronized.
In Sync colours turn into greens. Recall button DIM also can load a specific listening volume for an Out main which can be specified by totalmix FX. Then press the button for 2 seconds to reset the current settings. When volume is changed the DIM will go back to the original settings.
Analog recording
Suitable recording devices (Baby Face Pro Analog x+x) must have been selected. The Babyface Pro has a high-quality digital microphone preamp. Digital controls allow adjusting Gain in 1 dB increment to +65 D.
The setup may be done either on a single channel with a rotary encoding unit or in TotalMix with the Gain knob in the settings panel. The current Gain will appear in decibels (dB) on the knob. A PAD reduces the input signal by 12dB and reduces the power consumption caused by a high-level microphone.
Digital recording
In contrast to analog Sound Cards, the digital interface always needs the valid output signal when starting recording. RME included an integrated I/O signal status display on the Babyface Pro that displays the full sample frequencies, lock and sync status on the Setting and Status LED immediately on the unit.
The sampling frequency displayed in the Settings menu is useful for identifying and checking unit and external equipment connections. When there's a low frequency sampling it displays 'No Lockings'.
TotalMix FX
The relatively opaque nature of the Totalmix FX program is a delight for casual users, as well as reviewers. TotalMix FX is a powerful and complex software that is based on DSP-driven, DSP-based EQ, host-based reverb, and delay.
If you are a newcomer you can start with minimal difficulties. This Remote Control app can now be activated with a few clicks.
Connectors - Controls - Displays
The Babyface Pro top features high-precision Rotating Encoders, four buttons, and 6 status LED's. The four LED bands indicate current gain input and output levels, and the output channels need to be adjusted, this depends on the current model.
The lower LEDs show phantom power (+48V orange) and DIM, while the higher LED indicates overloaded (clip, red). It can be used in order to directly change a set of parameters on the device. The three arrows IN, SET, DISABLE, MIX B, and E instantly enable the appropriate function to be activated. Control of this device is also possible using phantom power. Navigate to the inputs 1/4"x 3/4", and then select the EN key several times.
RME Babyface Pro FS Modifications
It looks almost the same as previous iterations, on a physical note. The rear features the same nonlocked XLR microphone input. There is an Ethernet plug on the left and a power socket on the left.
The power supply has no AC plug and USB is not available. It was interesting to see whether they would convince themselves to employ TRS MIDI sockets which absorb all remaining breakout wire. It also has a number of physical modifications.
New & Improved
Physically the Babyface Pro FS remains nearly identical to the older versions. The XLR microphone inputs are the same. On the right side is an USB plug, an auxiliary USB power plug when no power is provided via USB power and a DAT Optical Out and an MIDI In / Out socket.
What's the best professional audio interface you ask?
We recommend the RME Babyface Pro FS as the ideal mix of quality and cost. Universal Audio Apollo Twin X offers versatility as well as integrated features in UA software for elite users.
The PreSonus audio box is ideal for anyone on a tight budget. Also, the Apogee Symphony Desktop is a premium choice as well.
It's being advertised as an affordable option for those looking to get into the world of high-end audio recording
If you've ever had a dream of becoming the next big audio engineer, but felt too intimidated by the expensive equipment, fear not! It's finally here–the affordable option everyone has been waiting for to get their foot in the door of high-end audio recording.
You can now access the same sound quality industry professionals have used for decades without breaking the bank. Be sure to take advantage of this amazing opportunity and make some beautiful music!
But can you really get it for $166 down, or is that just too good to be true?
It's true - this amazing product really can be yours for just $166! But, like with most things that sound too good to be true, there must surely be a catch. Only catch being, you have to make that payment every month until it's paid off. But that is with zero interest!
Before making such an incredible purchase, you ought to be sure that the bargain in front of you is actually as amazing as it seems. Do your research and examine all angles before pulling the trigger on this potential once-in-a-lifetime deal so you can make sure it won't turn out to be too good to be true in the end.
We take a look at the specs and features of the RME Babyface Pro FS to see if it's worth the price tag
Want to take your home recording setup up a notch? Ready to invest in a reliable yet affordable audio interface that won't cost an arm and a leg or more importantly, leave you sleepless after maxing out your credit card? Fear not!
The RME Babyface Pro FS may be just what the doctor ordered. With pristine sound and robust features like three separate headphone outputs, MIDI I/O, and the ability to draw power over USB-C, this obvious pro is also great for bus-powered personal rigs.
Good luck finding anything comparable for less than the Babyface Pro's bargain price tag - if you can call it that. So if you're serious about getting serious with your digital audio workstation, don't let this one pass you by.
Our verdict on the Babyface Pro FS
RME has released Babyface Pro FS, which represents an improvement on its predecessors. Some of the small shortcomings found in the Babyface Pro are nearly gone, but the interface performs superbly. We are absolutely not disappointed with this babyface.
All in all, the RME Babyface Pro FS is a great option for budding music producers and audio engineers who want to experience what high-end audio recording has to offer without breaking the bank.
With tons of features like low latency recording, 24-bit/192 kHz converters, MIDI connections, and more, it's hard to go wrong with this device. Plus, its sturdy construction ensures you'll be able to record with confidence knowing your gear will last through those long hours spent in the studio.
So don't miss out– if you're looking for quality sound on a budget, the RME Babyface Pro FS should be at the top of your list!
SPECS:
ANALOG
AD, Microphone/Line 1-2
Input: XLR, electronically balanced
Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD
Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD
Signal to Noise ratio (SNR): 113,7 dB RMS unweighted, 117 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 18 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 7 Hz – 45.8 kHz
Frequency response @ 192 kHz, -1 dB: 5 Hz – 88 kHz
With PAD active : -0.1 dB 8 Hz, -0.5 dB < 4 Hz, -1 dB < 3 Hz
THD: < -112 dB, < 0.00024 %
THD+N: < -108 dB, < 0.00035 %
THD @ 30 dB Gain: < -115 dB, < 0.00016 %
THD+N @ 30 dB Gain: < -100 dB, < 0.001 %
Channel separation: > 110 dB
Gain range: -11 dB up to +65 dB
Maximum input level XLR, Gain 0 dB: +8 dBu, PAD +19 dBu
Maximum input level XLR, Gain 65 dB: -57 dBu, PAD -46 dBu
AD, LINE/INSTRUMENT IN 3-4
As Microphone/Line 1-2, but:
Input: 6.3 mm TS jack, unbalanced
Input impedance: 1 MOhm
Signal to Noise ratio (SNR): 116 dB RMS unweighted, 120 dBA
Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: < 3 Hz – 45.8 kHz
Frequency response @ 192 kHz, -1 dB: < 2 Hz – 92 kHz
Maximum input level @+4 dBu, Gain 0 dB: +13 dBu
Maximum input level @-10 dBV, Gain 9 dB: -5 dBu
DA, Line Out 1-2
Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
THD: - 106 dB, 0.0005 %
THD+N: -102 dB, 0.0008 %
Channel separation: > 110 dB
Output: XLR balanced
Output impedance: 300 Ohm balanced, 150 Ohm unbalanced
Output level @ 0 dBFS: Balanced +19 / +4 dBu, unbalanced +13 / -2 dBu
DC @ 0 dBFS: 6.35mm 4.8 V, 3.5mm 2.4 V, XLR bal. 9.6 V
DA, PHONES 3/4
AS DA Line Out, but:
Output: 6.3 mm TRS jack, unbalanced
Output impedance: 10 Ohm
Output level at 0 dBFS, 1 kOhm load: +13 dBu
Max power @ 0.1% THD: 60 mW
Signal to Noise ratio (SNR): 114.8 dB RMS unweighted, 118 dBA
Noise level: -101.8 dBu
Output: 3.5 mm TRS jack, unbalanced
Output impedance: 0.1 Ohm
Output level at 0 dBFS, 1 kOhm load: +7 dBu
Max power @ 0.1% THD: 90 mW
Signal to Noise ratio (SNR): 114 dB RMS unweighted, 117 dBA
Noise level: -107 dBu
MIDI
1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode: Jitter and response time typically below 1 ms
Separate 128 byte FIFOs for input and output 25.3
DIGITAL
Clocks: Internal, ADAT In, SPDIF In
Jitter suppression of external clocks: > 50 dB (2.4 kHz)
Effective clock jitter influence on AD and DA conversion: near zero
PLL ensures zero dropout, even at more than 100 ns jitter
Digital Bitclock PLL for trouble-free varispeed ADAT operation
Supported sample rates: 28 kHz up to 200 kHz
DIGITAL INPUTS
ADAT Optical
1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
Bitclock PLL ensures perfect synchronisation even in varispeed operation
Lock Range: 31.5 kHz – 50 kHz
Jitter suppression: > 50 dB (2.4 kHz)
SPDIF optical
1 x optical, according to IEC 60958
Accepts Consumer and Professional format
Lock Range: 27 kHz – 200 kHz
Jitter suppression: > 50 dB (2.4 kHz)
DIGITAL OUTPUTS
ADAT optical
1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
SPDIF optical
1 x optical, according to IEC 60958
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28 kHz up to 200 kHz
GENERAL
Power supply: USB bus power or external power supply
Idle power consumption: 2.8 Watts
Typical power consumption: 3.7 Watts
Max. power consumption: 5.4 Watts
Current at 5 V bus power operation: 700 mA (3.7 Watts)
Current at 12 V external power: 313 mA (3.7 Watts)
Dimensions (WxHxD): 108 x 35 x 181 mm (4.25" x 1.4" x 7.1")
Weight: 680 g ( 1.5 lbs)
Temperature range: +5° up to +50° Celsius (41° F up to 122°F)
Relative humidity: < 75%, non condensing
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